Doubts about chords












2















"The seventh chord built on the fifth step of the scale (the dominant seventh) is the only dominant seventh chord available in the major scale: it contains all three notes of the diminished triad of the seventh and is frequently used as a stronger substitute for it".



Can yall explain what this means?
Especially "diminished triad of the seventh"?










share|improve this question



























    2















    "The seventh chord built on the fifth step of the scale (the dominant seventh) is the only dominant seventh chord available in the major scale: it contains all three notes of the diminished triad of the seventh and is frequently used as a stronger substitute for it".



    Can yall explain what this means?
    Especially "diminished triad of the seventh"?










    share|improve this question

























      2












      2








      2








      "The seventh chord built on the fifth step of the scale (the dominant seventh) is the only dominant seventh chord available in the major scale: it contains all three notes of the diminished triad of the seventh and is frequently used as a stronger substitute for it".



      Can yall explain what this means?
      Especially "diminished triad of the seventh"?










      share|improve this question














      "The seventh chord built on the fifth step of the scale (the dominant seventh) is the only dominant seventh chord available in the major scale: it contains all three notes of the diminished triad of the seventh and is frequently used as a stronger substitute for it".



      Can yall explain what this means?
      Especially "diminished triad of the seventh"?







      theory chords






      share|improve this question













      share|improve this question











      share|improve this question




      share|improve this question










      asked 3 hours ago









      stupr instupr in

      514




      514






















          2 Answers
          2






          active

          oldest

          votes


















          5














          "Dominant seventh" is a shorthand for what others call a "major-minor seventh," meaning a major triad with a minor seventh on top.



          If we take all notes of a major scale and create seventh chords on top of them using only the notes of that major scale, only one of these seventh chords will be a major-minor ("dominant") seventh: that built on scale-degree 5 of the major scale. Scale-degree 5 is called the "dominant," hence the term "dominant seventh."



          When this text says "diminished triad of the seventh," the writer is being a little loose with their terminology. It should say "diminished triad of the seventh scale degree," because the triad built on top of that seventh scale degree is a diminished triad. And that same diminished triad is the third, fifth, and seventh of the dominant seventh chord built on scale-degree 5.



          In C major, scale-degree 5 is G and scale-degree 7 is B. The seventh chord on G is G B D F (a major triad G B D with a minor seventh G F), and it includes the diminished triad built on scale-degree 7: B D F.






          share|improve this answer































            2














            Doubts about Chords



            We call the resolution stronger because the V7 chord is much more directional (the vii°7 chord, which would be the diminished seventh chord, is symmetrical and ambiguous). There are other reasons, and as further reading, this post does a good job explaining this resolution's strengths.






            share|improve this answer
























            • Thank you. Will read about it.

              – stupr in
              2 hours ago












            Your Answer








            StackExchange.ready(function() {
            var channelOptions = {
            tags: "".split(" "),
            id: "240"
            };
            initTagRenderer("".split(" "), "".split(" "), channelOptions);

            StackExchange.using("externalEditor", function() {
            // Have to fire editor after snippets, if snippets enabled
            if (StackExchange.settings.snippets.snippetsEnabled) {
            StackExchange.using("snippets", function() {
            createEditor();
            });
            }
            else {
            createEditor();
            }
            });

            function createEditor() {
            StackExchange.prepareEditor({
            heartbeatType: 'answer',
            autoActivateHeartbeat: false,
            convertImagesToLinks: false,
            noModals: true,
            showLowRepImageUploadWarning: true,
            reputationToPostImages: null,
            bindNavPrevention: true,
            postfix: "",
            imageUploader: {
            brandingHtml: "Powered by u003ca class="icon-imgur-white" href="https://imgur.com/"u003eu003c/au003e",
            contentPolicyHtml: "User contributions licensed under u003ca href="https://creativecommons.org/licenses/by-sa/3.0/"u003ecc by-sa 3.0 with attribution requiredu003c/au003e u003ca href="https://stackoverflow.com/legal/content-policy"u003e(content policy)u003c/au003e",
            allowUrls: true
            },
            noCode: true, onDemand: true,
            discardSelector: ".discard-answer"
            ,immediatelyShowMarkdownHelp:true
            });


            }
            });














            draft saved

            draft discarded


















            StackExchange.ready(
            function () {
            StackExchange.openid.initPostLogin('.new-post-login', 'https%3a%2f%2fmusic.stackexchange.com%2fquestions%2f82821%2fdoubts-about-chords%23new-answer', 'question_page');
            }
            );

            Post as a guest















            Required, but never shown

























            2 Answers
            2






            active

            oldest

            votes








            2 Answers
            2






            active

            oldest

            votes









            active

            oldest

            votes






            active

            oldest

            votes









            5














            "Dominant seventh" is a shorthand for what others call a "major-minor seventh," meaning a major triad with a minor seventh on top.



            If we take all notes of a major scale and create seventh chords on top of them using only the notes of that major scale, only one of these seventh chords will be a major-minor ("dominant") seventh: that built on scale-degree 5 of the major scale. Scale-degree 5 is called the "dominant," hence the term "dominant seventh."



            When this text says "diminished triad of the seventh," the writer is being a little loose with their terminology. It should say "diminished triad of the seventh scale degree," because the triad built on top of that seventh scale degree is a diminished triad. And that same diminished triad is the third, fifth, and seventh of the dominant seventh chord built on scale-degree 5.



            In C major, scale-degree 5 is G and scale-degree 7 is B. The seventh chord on G is G B D F (a major triad G B D with a minor seventh G F), and it includes the diminished triad built on scale-degree 7: B D F.






            share|improve this answer




























              5














              "Dominant seventh" is a shorthand for what others call a "major-minor seventh," meaning a major triad with a minor seventh on top.



              If we take all notes of a major scale and create seventh chords on top of them using only the notes of that major scale, only one of these seventh chords will be a major-minor ("dominant") seventh: that built on scale-degree 5 of the major scale. Scale-degree 5 is called the "dominant," hence the term "dominant seventh."



              When this text says "diminished triad of the seventh," the writer is being a little loose with their terminology. It should say "diminished triad of the seventh scale degree," because the triad built on top of that seventh scale degree is a diminished triad. And that same diminished triad is the third, fifth, and seventh of the dominant seventh chord built on scale-degree 5.



              In C major, scale-degree 5 is G and scale-degree 7 is B. The seventh chord on G is G B D F (a major triad G B D with a minor seventh G F), and it includes the diminished triad built on scale-degree 7: B D F.






              share|improve this answer


























                5












                5








                5







                "Dominant seventh" is a shorthand for what others call a "major-minor seventh," meaning a major triad with a minor seventh on top.



                If we take all notes of a major scale and create seventh chords on top of them using only the notes of that major scale, only one of these seventh chords will be a major-minor ("dominant") seventh: that built on scale-degree 5 of the major scale. Scale-degree 5 is called the "dominant," hence the term "dominant seventh."



                When this text says "diminished triad of the seventh," the writer is being a little loose with their terminology. It should say "diminished triad of the seventh scale degree," because the triad built on top of that seventh scale degree is a diminished triad. And that same diminished triad is the third, fifth, and seventh of the dominant seventh chord built on scale-degree 5.



                In C major, scale-degree 5 is G and scale-degree 7 is B. The seventh chord on G is G B D F (a major triad G B D with a minor seventh G F), and it includes the diminished triad built on scale-degree 7: B D F.






                share|improve this answer













                "Dominant seventh" is a shorthand for what others call a "major-minor seventh," meaning a major triad with a minor seventh on top.



                If we take all notes of a major scale and create seventh chords on top of them using only the notes of that major scale, only one of these seventh chords will be a major-minor ("dominant") seventh: that built on scale-degree 5 of the major scale. Scale-degree 5 is called the "dominant," hence the term "dominant seventh."



                When this text says "diminished triad of the seventh," the writer is being a little loose with their terminology. It should say "diminished triad of the seventh scale degree," because the triad built on top of that seventh scale degree is a diminished triad. And that same diminished triad is the third, fifth, and seventh of the dominant seventh chord built on scale-degree 5.



                In C major, scale-degree 5 is G and scale-degree 7 is B. The seventh chord on G is G B D F (a major triad G B D with a minor seventh G F), and it includes the diminished triad built on scale-degree 7: B D F.







                share|improve this answer












                share|improve this answer



                share|improve this answer










                answered 3 hours ago









                RichardRichard

                45.9k7110196




                45.9k7110196























                    2














                    Doubts about Chords



                    We call the resolution stronger because the V7 chord is much more directional (the vii°7 chord, which would be the diminished seventh chord, is symmetrical and ambiguous). There are other reasons, and as further reading, this post does a good job explaining this resolution's strengths.






                    share|improve this answer
























                    • Thank you. Will read about it.

                      – stupr in
                      2 hours ago
















                    2














                    Doubts about Chords



                    We call the resolution stronger because the V7 chord is much more directional (the vii°7 chord, which would be the diminished seventh chord, is symmetrical and ambiguous). There are other reasons, and as further reading, this post does a good job explaining this resolution's strengths.






                    share|improve this answer
























                    • Thank you. Will read about it.

                      – stupr in
                      2 hours ago














                    2












                    2








                    2







                    Doubts about Chords



                    We call the resolution stronger because the V7 chord is much more directional (the vii°7 chord, which would be the diminished seventh chord, is symmetrical and ambiguous). There are other reasons, and as further reading, this post does a good job explaining this resolution's strengths.






                    share|improve this answer













                    Doubts about Chords



                    We call the resolution stronger because the V7 chord is much more directional (the vii°7 chord, which would be the diminished seventh chord, is symmetrical and ambiguous). There are other reasons, and as further reading, this post does a good job explaining this resolution's strengths.







                    share|improve this answer












                    share|improve this answer



                    share|improve this answer










                    answered 2 hours ago









                    user45266user45266

                    4,2231835




                    4,2231835













                    • Thank you. Will read about it.

                      – stupr in
                      2 hours ago



















                    • Thank you. Will read about it.

                      – stupr in
                      2 hours ago

















                    Thank you. Will read about it.

                    – stupr in
                    2 hours ago





                    Thank you. Will read about it.

                    – stupr in
                    2 hours ago


















                    draft saved

                    draft discarded




















































                    Thanks for contributing an answer to Music: Practice & Theory Stack Exchange!


                    • Please be sure to answer the question. Provide details and share your research!

                    But avoid



                    • Asking for help, clarification, or responding to other answers.

                    • Making statements based on opinion; back them up with references or personal experience.


                    To learn more, see our tips on writing great answers.




                    draft saved


                    draft discarded














                    StackExchange.ready(
                    function () {
                    StackExchange.openid.initPostLogin('.new-post-login', 'https%3a%2f%2fmusic.stackexchange.com%2fquestions%2f82821%2fdoubts-about-chords%23new-answer', 'question_page');
                    }
                    );

                    Post as a guest















                    Required, but never shown





















































                    Required, but never shown














                    Required, but never shown












                    Required, but never shown







                    Required, but never shown

































                    Required, but never shown














                    Required, but never shown












                    Required, but never shown







                    Required, but never shown







                    Popular posts from this blog

                    Сан-Квентин

                    8-я гвардейская общевойсковая армия

                    Алькесар