Resolving to minmaj7
Looking for possible resolutions to a Iminmaj7.
Theoretical or not - shoot!
Out of the ordinary resolutions are needed ( I already know the theory behind it, using possible modes and all ).
Looking forward to discussing some resolutions.
one resolution to that I found was from bviiadd#13.
theory harmony chord-theory chord-progressions cadence
asked 4 hours ago
Dexter NairDexter Nair
214
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Looking for possible resolutions to a Iminmaj7.
Theoretical or not - shoot!
Out of the ordinary resolutions are needed ( I already know the theory behind it, using possible modes and all ).
Looking forward to discussing some resolutions.
one resolution to that I found was from bviiadd#13.
theory harmony chord-theory chord-progressions cadence
asked 4 hours ago
Dexter NairDexter Nair
214
New contributor
Dexter Nair is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
add a comment |
Looking for possible resolutions to a Iminmaj7.
Theoretical or not - shoot!
Out of the ordinary resolutions are needed ( I already know the theory behind it, using possible modes and all ).
Looking forward to discussing some resolutions.
one resolution to that I found was from bviiadd#13.
theory harmony chord-theory chord-progressions cadence
asked 4 hours ago
Dexter NairDexter Nair
214
New contributor
Dexter Nair is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
Looking for possible resolutions to a Iminmaj7.
Theoretical or not - shoot!
Out of the ordinary resolutions are needed ( I already know the theory behind it, using possible modes and all ).
Looking forward to discussing some resolutions.
one resolution to that I found was from bviiadd#13.
theory harmony chord-theory chord-progressions cadence
theory harmony chord-theory chord-progressions cadence
asked 4 hours ago
Dexter NairDexter Nair
214
New contributor
Dexter Nair is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
asked 4 hours ago
Dexter NairDexter Nair
214
New contributor
Dexter Nair is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
edited 2 hours ago
Dexter Nair
asked 4 hours ago
Dexter NairDexter Nair
214
New contributor
Dexter Nair is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
asked 4 hours ago
Dexter NairDexter Nair
214
asked 4 hours ago
Dexter NairDexter Nair
214
214
New contributor
Dexter Nair is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
New contributor
Dexter Nair is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
Dexter Nair is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
add a comment |
add a comment |
2 Answers
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A minmaj7 chord can be the first degree (with the 7th) from the harmonic minor scale. So using progressions from that scale, you can have resolutions on minmaj7.
Here is a simple V-i:
Basically, since you are not looking only for theoretical answers, anything that sounds good to you works.
Also, if you are on any minor scale, on a V-i resolution, you can easily continue playing the leading tone (like I did on the example) and it would be a minmaj7 chord.
answered 2 hours ago
ShevliaskovicShevliaskovic
20.8k1381173
add a comment |
resolving to i min maj7 isn't a classical style resolution since you're keeping the leading tone present, but strong examples are from V7 with extensions like b9,#9, or its tritone sub bII(dom)7
edited 2 hours ago
Shevliaskovic
20.8k1381173
answered 3 hours ago
Nick GNick G
213
New contributor
Nick G is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
Agreed! it is a non-functioning chord, hence we won't find it being used much in classical. Although by digging around I did find the usage of minmaj7 in classical context too, however it was not used to resolve rather it was used as a tension builder to resolve to the tonic. Also I have used the resolutions that you mentioned, using V7 to Iminmaj7th (kinda secondary dominant) and it sounds nice with #9 and sometimes with 13th but the tritone one is weird and I think it can be used for line cliches
– Dexter Nair
2 hours ago
add a comment |
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2 Answers
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active
oldest
votes
2 Answers
2
active
oldest
votes
active
oldest
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active
oldest
votes
A minmaj7 chord can be the first degree (with the 7th) from the harmonic minor scale. So using progressions from that scale, you can have resolutions on minmaj7.
Here is a simple V-i:
Basically, since you are not looking only for theoretical answers, anything that sounds good to you works.
Also, if you are on any minor scale, on a V-i resolution, you can easily continue playing the leading tone (like I did on the example) and it would be a minmaj7 chord.
answered 2 hours ago
ShevliaskovicShevliaskovic
20.8k1381173
add a comment |
A minmaj7 chord can be the first degree (with the 7th) from the harmonic minor scale. So using progressions from that scale, you can have resolutions on minmaj7.
Here is a simple V-i:
Basically, since you are not looking only for theoretical answers, anything that sounds good to you works.
Also, if you are on any minor scale, on a V-i resolution, you can easily continue playing the leading tone (like I did on the example) and it would be a minmaj7 chord.
answered 2 hours ago
ShevliaskovicShevliaskovic
20.8k1381173
add a comment |
A minmaj7 chord can be the first degree (with the 7th) from the harmonic minor scale. So using progressions from that scale, you can have resolutions on minmaj7.
Here is a simple V-i:
Basically, since you are not looking only for theoretical answers, anything that sounds good to you works.
Also, if you are on any minor scale, on a V-i resolution, you can easily continue playing the leading tone (like I did on the example) and it would be a minmaj7 chord.
answered 2 hours ago
ShevliaskovicShevliaskovic
20.8k1381173
A minmaj7 chord can be the first degree (with the 7th) from the harmonic minor scale. So using progressions from that scale, you can have resolutions on minmaj7.
Here is a simple V-i:
Basically, since you are not looking only for theoretical answers, anything that sounds good to you works.
Also, if you are on any minor scale, on a V-i resolution, you can easily continue playing the leading tone (like I did on the example) and it would be a minmaj7 chord.
answered 2 hours ago
ShevliaskovicShevliaskovic
20.8k1381173
answered 2 hours ago
ShevliaskovicShevliaskovic
20.8k1381173
answered 2 hours ago
ShevliaskovicShevliaskovic
20.8k1381173
answered 2 hours ago
ShevliaskovicShevliaskovic
20.8k1381173
20.8k1381173
add a comment |
add a comment |
resolving to i min maj7 isn't a classical style resolution since you're keeping the leading tone present, but strong examples are from V7 with extensions like b9,#9, or its tritone sub bII(dom)7
edited 2 hours ago
Shevliaskovic
20.8k1381173
answered 3 hours ago
Nick GNick G
213
New contributor
Nick G is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
Agreed! it is a non-functioning chord, hence we won't find it being used much in classical. Although by digging around I did find the usage of minmaj7 in classical context too, however it was not used to resolve rather it was used as a tension builder to resolve to the tonic. Also I have used the resolutions that you mentioned, using V7 to Iminmaj7th (kinda secondary dominant) and it sounds nice with #9 and sometimes with 13th but the tritone one is weird and I think it can be used for line cliches
– Dexter Nair
2 hours ago
add a comment |
resolving to i min maj7 isn't a classical style resolution since you're keeping the leading tone present, but strong examples are from V7 with extensions like b9,#9, or its tritone sub bII(dom)7
edited 2 hours ago
Shevliaskovic
20.8k1381173
answered 3 hours ago
Nick GNick G
213
New contributor
Nick G is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
Agreed! it is a non-functioning chord, hence we won't find it being used much in classical. Although by digging around I did find the usage of minmaj7 in classical context too, however it was not used to resolve rather it was used as a tension builder to resolve to the tonic. Also I have used the resolutions that you mentioned, using V7 to Iminmaj7th (kinda secondary dominant) and it sounds nice with #9 and sometimes with 13th but the tritone one is weird and I think it can be used for line cliches
– Dexter Nair
2 hours ago
add a comment |
resolving to i min maj7 isn't a classical style resolution since you're keeping the leading tone present, but strong examples are from V7 with extensions like b9,#9, or its tritone sub bII(dom)7
edited 2 hours ago
Shevliaskovic
20.8k1381173
answered 3 hours ago
Nick GNick G
213
New contributor
Nick G is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
resolving to i min maj7 isn't a classical style resolution since you're keeping the leading tone present, but strong examples are from V7 with extensions like b9,#9, or its tritone sub bII(dom)7
edited 2 hours ago
Shevliaskovic
20.8k1381173
answered 3 hours ago
Nick GNick G
213
New contributor
Nick G is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
edited 2 hours ago
Shevliaskovic
20.8k1381173
edited 2 hours ago
Shevliaskovic
20.8k1381173
edited 2 hours ago
Shevliaskovic
20.8k1381173
20.8k1381173
answered 3 hours ago
Nick GNick G
213
New contributor
Nick G is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
answered 3 hours ago
Nick GNick G
213
answered 3 hours ago
Nick GNick G
213
213
New contributor
Nick G is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
New contributor
Nick G is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
Nick G is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
Agreed! it is a non-functioning chord, hence we won't find it being used much in classical. Although by digging around I did find the usage of minmaj7 in classical context too, however it was not used to resolve rather it was used as a tension builder to resolve to the tonic. Also I have used the resolutions that you mentioned, using V7 to Iminmaj7th (kinda secondary dominant) and it sounds nice with #9 and sometimes with 13th but the tritone one is weird and I think it can be used for line cliches
– Dexter Nair
2 hours ago
add a comment |
Agreed! it is a non-functioning chord, hence we won't find it being used much in classical. Although by digging around I did find the usage of minmaj7 in classical context too, however it was not used to resolve rather it was used as a tension builder to resolve to the tonic. Also I have used the resolutions that you mentioned, using V7 to Iminmaj7th (kinda secondary dominant) and it sounds nice with #9 and sometimes with 13th but the tritone one is weird and I think it can be used for line cliches
– Dexter Nair
2 hours ago
Agreed! it is a non-functioning chord, hence we won't find it being used much in classical. Although by digging around I did find the usage of minmaj7 in classical context too, however it was not used to resolve rather it was used as a tension builder to resolve to the tonic. Also I have used the resolutions that you mentioned, using V7 to Iminmaj7th (kinda secondary dominant) and it sounds nice with #9 and sometimes with 13th but the tritone one is weird and I think it can be used for line cliches
– Dexter Nair
2 hours ago
Agreed! it is a non-functioning chord, hence we won't find it being used much in classical. Although by digging around I did find the usage of minmaj7 in classical context too, however it was not used to resolve rather it was used as a tension builder to resolve to the tonic. Also I have used the resolutions that you mentioned, using V7 to Iminmaj7th (kinda secondary dominant) and it sounds nice with #9 and sometimes with 13th but the tritone one is weird and I think it can be used for line cliches
– Dexter Nair
2 hours ago
add a comment |
Dexter Nair is a new contributor. Be nice, and check out our Code of Conduct.
Dexter Nair is a new contributor. Be nice, and check out our Code of Conduct.
Dexter Nair is a new contributor. Be nice, and check out our Code of Conduct.
Dexter Nair is a new contributor. Be nice, and check out our Code of Conduct.
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